Saturday, April 20, 2024

arts

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At Alexis Galleries, eloquence in Ezeigwe’s  Monkey Business 

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Imperfectly Awesome: A Celebration of resilience and self-acceptance

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FOLKTALE: Why the tortoise has a broken shell

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Ezeife’s unfulfilled dreams as ex-governor takes final bow

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Empowering creators: Frank Itom’s path from boredom to content creation innovation

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Soludo didn’t ban extra moral classes in Anambra –Chuma Udeh

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The Rise of Gas earns corporate endorsements

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200 artists dazzle with 600 works at +234 Art Fair

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Charles Osezua’s The Rise of Gas: From Gaslink to the Decade of Gas to be unveiled

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POEMS

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POEMS

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In fresh themes, Adesola’s portrait art captures black women

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Azuh Arinze swells his oeuvre with two new book

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POEMS

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My aim is to host unified world class festival – Segun Akanni

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Unveiling the mystery: Reasons behind postponement of Lagos Photo Festival

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‘Go back to the roots, write in African tongues’ – Usman

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PMCA elevates feminine narratives in 6th miniature exhibition

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Blend of beauty, art, fashion at A107 Galleries

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Exploring the rich cultural heritage of Ndoni people

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No place like home: How to invest in Nigeria

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Renown author proffers solutions to Nigerian public service

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Winners emerge for 2024 Akachi Ezeigbo Prize for Literature

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Memories of Muhammad Salissou Hamissou, cultural broadcaster from Niger

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Reading should be lifelong experience –Ituama

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Omodamwen’s Beyond Mimesis unfurls fresh sculpture

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Eight female artists storm Windsor Gallery with a group exhibition